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The Advantage of Simplicity

The Advantage of Simplicity

Here, Clint Eastwood's character, the Man with No Name, kindly demonstrates to the bad guy that the pistol is more compact and thus agile in terms of quick draw against the rifle in Sergio Leone's For a Fistful of Dollars (1964). He also ends up shooting the bad guy in the process of demonstration; which is unfortunate, but also not because the bad guy was a pretty bad guy. So it all works out.

At its core, For a Fistful of Dollars is a typical hero story where the lone protagonist goes alone and outnumbered against a organized group of evildoers. While the bad guys have a bunch of henchmen and resources, the Man with No Name is only armed with his brain and skills.  What's really fun is how he weaves in between the two ruling gangs and cleverly tricks them into inflict damages amongst themselves, coming in for the final sweep and killing the bad guy in the duel above.  The entire story is about winning the battle not through brute force, but through a more agile and clever strategy.

The tactics and philosophy of the Man with No Name, is also rooted in a certain minimalism, a sense of light-footedness that allows the him to think on his feet to ever-changing circumstances, while having an central core that aspires to do good and make money.  Acting alone with help from the villagers as necessary, he is also not tied to or bogged down by an organization.  There is a certain sense of anarchical simplicity that draws you into the character, which is also the very characteristics that give him the very advantage he needs to take down the established and organized ruling gangs.

Reflecting on the Pop-up store

TaiyoWatanabe-1570

A Personal Post: Reflecting on the Pop-up Store

Pop-up store for the Third Sunday Market, which started in June for a four month run came to an conclusion for this year. Regardless of wether you purchased the straps or wallets or not, thank you for your interest. If you have purchased my items, thank you very much for the support and please contact me should you have any questions.

It was a great opportunity where I met exciting new people, and a great chance to directly interact with people who were interested in the design items.

I work day-to-day in an Architecture office. In the office and work, most of the people I interface are people in the field or related field of Architecture or design.  I also went to a college where Architecture was the only field of study. While that experience and focused background has rooted me in proficiency and expertise in the field, I rarely get to meet people outside of my field, due to the nature of the business. Therefore, I especially value the interactions I had with all of you who were curious about the design here at kentique. I wish to feed this valuable experience back to continue to innovate the design products and the experience in the future.

It is one thing to be able to open a venue to introduce the design, but I was especially honored to be able to do so at the store I had deep admiration for, for the philosophy behind the store. Thank you for the kind people at Tortoise General Store who offered me this invaluable opportunity.

And definitely not the least, but thank you for the friends who have supported me.

Best Regards, Kentaro Yamada kentique design | Los Angeles, California 2014.10.27

Design Value of an Outdated Device: The Lumix L1

Panasonic Lumix DMC L1

Design Value of an Outdated Device: The Lumix L1

 

A design of an tool or equipment can add a long-term value to something that would have fleeting value otherwise.  Digital devices evolve at such a tremendous speed these days, that it is standard for models to be replaced through an yearly cycle. We have seen rapid evolution and changes in the iphone since it was originally released 6 years ago.  It's no longer the case where we have heirloom devices that are used for decades and then passed on to generations.

The Lumix L1 is an outdated digital camera from 2006. At 7.5megapixels, you can say that the iPhone would have a better sensor and a faster focus. But the L1 has developed a cult following, despite being big and hopelessly outdated: It is a unique camera, where it allowed for a flat brutalist geometry unlike a traditional DSLR through a side swinging mirror, and its large metal body features many control dials allowing for an analogue ergonomics in a digital camera. The L1, even if big and bulky, feels great to hold.

Panasonic Lumix DMC L1 DSLR

I like the brutalist geometry and the solid feel of this camera; its design and feel makes me want to carry it with me.  Even though it is outdated as a digital camera, the design, build, and the analogue control alone retains an experience value that holds stronger than the latest technological advancement that is surpassed every year.

Design has the potential to inspire and elevate the experience in the long-term, perhaps even after the functional aspect of the object has been depleted.  I am sure that the L1 above would be, to me, a beautiful object to have around long after it has been used up and broken.  This is true of buildings and landmarks; For example, the parthenon is no longer used for its original function, but its surviving design is a testament to the history and the culture of the location - the investment put into the design and construction in its time has been continuing to give back not only to the local culture and identity, but as a heritage of the world.

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Update 2014.9.15: Seems like Panasonic has gone back to this design from 8 years ago, and released an serious compact camera that continues the styling language of the L1 in a more compact package! Check out the Lumix LX100!

Kansai International Airport by Renzo Piano

Kansai International Airport by Renzo Piano

The Kansai International Airport opened exactly twenty years ago on September 4th, 1994. As a 8 year old, I was really excited about its design. It is still one of my top favorite buildings due to the integration of air circulation and light distribution into the sculptural form in the ceiling. This Architecture has heavily influenced my ideals toward architecture and design philosophy.

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Sunday Market at TGS in Venice, CA

Third Sunday Market-01[lang_en]Third Sunday: Pop up at TGS in Venice, CA[/lang_en]

[lang_ja]第三日曜:ロスのトータス•ジェネラル•ストアにてポップアップストア[/lang_ja]

[lang_en]

UPDATE 10/13: This sunday, 10.19 is the FINAL pop up store this year! Hope to see you there!

UPDATE 8/16: kentique design will be having a pop up store every third sunday at the Tortoise General Store from June until October of 2014. Please stop by! Tortoise General Store 1208 Abbot Kinney Blvd, Venice, CA 90291 Third Sunday Market: Third Sunday of the month from 12 noon to 17:00 PST. Dates are listed below:

6.15 - [done] 7.20 - [done] 8.17 - [done] 9.21 - [done] 10.19 [done - final]

kentique design will be having its first pop-up store this Sunday, june 15th at the Tortoise General Store in Venice California, from 12:00 to 17:00. Please stop by if you are in the area! I am honored to be invited by Tortoise General Store. I have always admired their concept and culture critical of the fast-paced disposable society with a lifestyle that is conscious and observant of the detail and products with longer life and enjoyable use. kentique design have almost identical values driving the design, and that is why I am so thrilled to have such an opportunity with TGS. TGS is also featured in Kinfolk Magazine, well known in the design community. Our booth will include the Type 34 Camera Straps both in Black and Brown, Type 21 Compact Camera Strap, and the Type A Bifold Wallet both in Black and Natural Brown.  [/lang_en] [lang_ja]追記 10/13:今週の日曜日、10月19日は今年最後のポップアップです。是非お越し下さいませ。追記8/16:kentique design は2014年6月から10月まで、第三日曜にTGSにて開催される「Third Sunday Market」に参加します。チャンスがあれば是非お越し下さい。 トータス•ジェネラル•ストア 1208 Abbot Kinney Blvd, Venice, CA 90291 Third Sunday Market:毎月第三日曜、正午12:00時から17:00時まで開催。日程は以下の通り:

6月15日 - [終了] 7月20日 - [終了] 8月17日 - [終了] 9月21日- [] 10月19日[終了ー最終]

ロサンゼルスの海岸沿いの町、ベニスのトータス•ジェネラル•ストア(以下TGS)にて、今週の日曜日、6月15日、12時から17時の間にkentique design初のポップアップストアを開催致します。ぜひお越し下さい。 TGSは、忙しさが増す社会に対して、ゆっくりとひとときを味わうライフスタイル、それにともなう長く愛用出来るものをコンセプトにしているので、kentique design のコンセプトに共鳴するところがあるのでこの度はこのような機会を頂いた事を光栄に思ってます。 TGSは世界中のクリエイターなどの間で有名なKinfolk Magazineにもとり上げられております。 ブースには、34式カメラストラップ(黒と茶)、21式コンパクトカメラストラップ(黒)、そしてA型折財布(ク黒と自然茶)を用意しております。[/lang_en]

Which Camera You Should Get

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Which Camera You Should Get

Although I'm not a pro photographer by any means, often times my friends ask me what camera they should buy. Usually, the person wants to get into photography or have a camera better than the iphone. So here are the (mainly nontechnical) criteria that I find are important in choosing a camera for a hobbyist - I won't get into the technicalities, but will provide links that can help.

© 2010 CBS Interactive

The iPhone is a great camera

So before deciding on which camera, theres the question of "do you need a camera?" The camera and lens on the iPhone is pretty good. Its something people usually carry, and its simple to use and share. What it does not provide so much, are detailed controls. If you want to control or play around with various photographic elements, you need to use high-end compacts with robust build and controls, or interchangeable lens cameras like DSLRs and Mirrorless cameras.

summilux_35mm_hood_front

Shop for the lens, not the camera

The lens(and the lens system) is the single most important aspect of gear in making the image.  The best XX megapixel camera may be outdated in a matter of few years, but you will keep a good lens to use with your next body. This should be a matter of quality over quantity.  Take the time to understand how a lens affects the final image. You should look for lenses, within your budget, that are sharp across the field (low quality lenses may be sharp at the center but very soft in the corners), and low distortion (some lenses have distortion that cant be corrected with softwares and detract from the image). Thankfully there are many consumer reviews today that can tell you if the lens is high quality or not.

My Preference: Prime(non-zoom) lenses are usually better quality than zooms, and offer more opportunities to learn about the photographic controls.

Go for the camera body that feels right

Personally, I feel the most important aspect of a camera body is that you feel good holding it, and want to take it with you.  Most of the available cameras already have great technology.  The newest and greatest camera bodies offer tremendous advancements in technology and resolution - if you like it and can afford it, great- go for it.  However, because digital cameras are outdated fast, previous models can be bought for cheap - and usually great.  In the long run, whatever the newest technology will be outdated and the difference will be marginal.  Its essential to go to an camera store and try out the camera and lens combination in hand before making the final decision.

My Preference: Mirrorless Micro Four Thirds such as the Olympus Pen series are compact, fun and great for carrying around, while offering great lenses. My preferred combination is Olympus OM-D with a Panasonic 20mm 1.7 Pancake Lens - I usually take it everywhere with me.

Anecdote: Technology vs. Sensibility When I was looking for a dslr in 2005, the hype was 8 megapixel consumer dslrs.  At that time, I noticed that a outdated 5 megapixel pro-model dslr with much more robust controls was available on sale for around the same price.  I liked the feel of the pro model, and I liked the photos it produced.  The salesperson made a big deal about how illogical my choice was, since for the same price I was opting for an obsolete model over the latest. 8 years later, nobody cares about the difference between 8 and 5 megapixels in the age of 16-20 megapixel standards, and I was able to take a lot of photos and have fun because I liked taking the camera along with me.

Art Center Pasadena

Design Update: Type 34 Model 2

Design update to Type 34

[lang_en]Type 34 Strap design updates[/lang_en][lang_ja]34式ストラップのデザインを変更しました[/lang_ja]

[lang_en]Type 34 Camera strap has been superseded by model 2, which features refined improvements resulting feedback from users. Click "Read" to read on:[/lang_en]

[lang_ja]お客様からの意見を取り入れ、34式ストラップの後継モデル、「二型」にデザイン変更を加えました。「続きを読む」をクリックすると詳細が記されています。[/lang_ja]

[lang_en]

  • The blackened hardware is now processed in an professional facility, resulting in a stronger and consistent black finish.
  • A stronger frail-resistant edge finish that retains the comfort and crisp edge of the previous model.
  • Added protector at the lugs to prevent the hardware from contacting the camera body.
  • Improved hardware pattern can now accomodate both classic lugs and slotted lugs.
  • Screws have been added loc-tite fastener glue for extra security.
  • Split ring attachment to the camera is now also black

But the most interesting adjustment is the sizing.  Previously, the camera strap was offered as a custom tailored length only to find out that almost everyone ordered the same or very similar length - 108mm. There were few, taller/bigger people who wanted the strap to be longer, but also around the same size of 116mm. I have decided to offer model 2 in the standard "Standard" 108mm length, as well as the "Extra Length" 116mm to simplify the order process.

Click Here for the Type34 M2 Strap[/lang_en]

[lang_ja]

  • 外注の黒染め金具を使用することにより、仕上がりの質と耐久性を向上しました
  • 革のエッジ加工をすることにより、シャープで心地よいエッジを残しつつ、革がほつれにくいようにしました。
  • カメラと金具が接触しない様にプロテクターを加えました
  • 新しい金具パターンを使用することで、カメラのスロット式とクラシック式金具、両方に使えるようになりました。
  • 金具にファスナーのりを付け足すことで、金具が外れにくくなりました。
  • カメラに装着するリング金具も黒に仕上げました。

興味深いのは、長さの設定の仕方です。以前、34式ストラップはカスタムの長さで作っていましたが、すべての注文がほぼ108mmという長さでした。中には背の高い方や大柄の方で116mmの長さを希望する人も見られました。これにより、「二型」のストラップは標準サイズの長さ108mmとロングロングサイズの長さ116mmの二つにしぼることにより、簡単にオーダー出来る様にしました。

34式2型ストラップはこちらをクリック[/lang_ja]